By Caroline Bithell
A various Voice, a distinct Song lines the historical past of a grassroots scene that has previously operated mostly underneath the radar, yet that has been lightly accumulating strength because the Nineteen Seventies. on the middle of this scene this present day are the typical voice circulate, based at the premise that "everyone can sing", and a growing to be transnational neighborhood of beginner singers partaking in multicultural song task. writer Caroline Bithell finds the fascinating internet of conditions and motivations that hyperlink those developments, highlighting their capability with recognize to present social, political and academic agendas. She investigates how and why songs from the world's oral traditions have supplied the linchpin for the typical voice flow, revealing how the musical traditions of alternative cultures not just offer a colorful repertory but additionally tell the ideological, methodological and moral ideas on which the circulation itself is based. A diversified Voice, a special Song attracts on long term ethnographic examine, together with participant-observation at choir rehearsals, performances, workshops and camps, in addition to interviews with voice academics, choir and workshop leaders, camp and competition organisers, and common individuals.
Bithell indicates how novice singers who're no longer musically literate can develop into useful individuals in a colourful musical neighborhood and, within the technique, locate their voice metaphorically in addition to actually. She then follows a few of these singers as they trip to far away destinations to benefit new songs of their common habitat. She theorises those developments by way of the politics of participation, the transformative capability of functionality, development social capital, the worldwide village, and reclaiming the humanities of get together and conviviality. The tales that emerge show a nuanced net of intersections among the neighborhood and worldwide, one that calls for a revision of the dominant discourses of authenticity, cultural appropriation and company within the post-colonial global, and eventually issues in the direction of a extra revolutionary politics of difference.
A varied Voice, a unique Song may be an important textual content for practitioners occupied with the traditional voice flow and different vocal methodologies and choral worlds. As an important learn within the fields of ethnomusicology, tune schooling and group track, the e-book may also be of curiosity to students learning the democratisation of the voice, the dynamics of participation, global musics in functionality, the transformative strength of concord making a song, and the potential for music-making for maintaining neighborhood and helping intercultural realizing.
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Extra info for A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song
In a variety of locations I took part in a series of residential workshops that had a more specialised focus, such as Georgian singing or song-writing, together with mass choir gatherings and festivals such as the National Street Choirs Festival and the national Sing for Water event in London. Finally, I attended conferences and symposia on singing-related themes, including the Phenomenon of Singing International Symposium in Newfoundland, the International Symposium on Traditional Polyphony in Georgia, a SEMPRE conference (Society for Education, Music and Psychology Research) on the theme of music, health, and wellbeing hosted by the Sidney De Haan Research Centre at Canterbury University, and two one-day conferences on English folk song and community choirs at Cecil Sharp House in London.
Stephanie Pitts offers variations on the theme in Valuing Musical Participation (2005), in which she explores the motivations, values, and experiences of participants in a variety of musical settings—a school, a university, a residential summer school, and two music festivals—with the aim of elaborating a broader theoretical perspective on the way in which music contributes to social and personal fulfilment. Barbershop singing is an interesting example of a bounded musical community that has attracted attention from sociologists as well as musicologists and ethnomusicologists.
Songs from South Africa in particular have long been popular with Britain’s political choirs, and songs from the African American spiritual and gospel traditions have established themselves in the repertory of many Welsh male voice choirs, together with perennial favourites like the Russian song “Kalinka”. What we have witnessed in recent years, however, is a dramatic broadening of the constituency for a vast selection of lesser-known songs in more complex arrangements, aided by greater accessibility and ease of dissemination of these songs via new media.
A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song by Caroline Bithell