By Eric Hope
While I observed this "pamphlet" (hardly justifies being known as a e-book) ranging in rate from approximately $22 to $40+ being provided from Amazon, i used to be awaiting anything invaluable of that prime expense. while I ordered it, i presumed it might be a pretty big e-book, choked with beneficial info, and that i anticipated that i'd be going in go back what I paid for it. What a major surprise and sadness I received while the booklet arrived! i would not name it a booklet yet quite a skinny pamphlet of merely seventy two pages (the first web page starts on web page nine . . . so truly, there is merely sixty three pages). I learn via it solely in below forty five mins (average examining speed). there has been little or no important details during this pamphlet, so much of that is abundantly to be had in different books. If I had the chance to preview this pamphlet sooner than purchasing it, i'd have anticipated to pay just a couple of money for it. yet, on the fee I paid for it ($26.45), it's an "OUTRAGEOUS RIPOFF". CAVEAT EMPTOR (buyer beware).
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Extra resources for A Handbook Of Piano Playing
MncT we should use a more legato touch, taking care, however, to allow no more change of Intensity from note to note than the rhythm demands. If we take each key down with almost the same speed and maintain legato, we shall avoid, on the one hand, an inappropriate cantabile (which, as we have seen, needs the finest tonal gradations from note to note) and, on the other, an equally inappropriate effect of brightness. It is interesting to note that different qualities of tone belong We can only peculiarly to different parts of the keyboard.
Of the fingers, hands and muscles the of condition relaxed aims during preparation. But it may be that the muscles, Play it the keys first after forte less a very particularly those of the fingers, adopt slightly^ for than for piano. forte relaxed condition when preparing However much it may interest scientists to investigate and measure such is of slight degrees of tension, it much greater of his advantage to the pianist to consider the condition relaxaof one as descent, to key muscles, immediately prior differences in the sensations for a sort of mental magnetising as tone of kinds being varying of the fingers.
The act of learning of the acquisition of knowledge, the forming of sequences of thought or of mental patterns. It involves the act of remembering; there can be no learning without remembering without, in fact, memorising. This statement holds good whether we wish ultimately to play 'from memory' or with the book before us. It is true even in the apparently physical consists process of learning the movements of technique, for only by remembering by memorising the sensations associated with any movement are we able to reproduce that movement.
A Handbook Of Piano Playing by Eric Hope