By F. B. Pinion
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Additional info for A Wordsworth Companion: Survey and Assessment
Clarke was influenced by a verse which he quotes from Beattie's The Minstrel, one of Wordsworth's favourite poems: And oft the craggy cliff he loved to climb, When all in mist the world below was lost. What dreadful pleasure! there to stand sublime, Like shipwreck'd mariner on desert coast, And view th' enormous waste of vapour, tost In billows, lengthening to th' horizon round, Now scoop'd in gulfs, with mountains now emboss'd! And hear the voice of mirth and song rebound, Flocks, herds, and waterfalls, along the hoar profound!
Nor does the changing landscape always emerge clearly, successions of scenic glimpses tending to leave a conglomeration in the mind, especially in the earlier stages of the poem. Not surprisingly one of the most successful passages in this section remained unchanged in the final edition of 1849, except for the substitution of'or' for 'and' in the penultimate line, the elimination of old-fashioned elisions ('silver'd, wat'ry, scatter'd'), and slight punctuational improvements: While, near the midway cliff, the silvered kite In many a whistling circle wheels her flight; Slant watery lights, from parting clouds, apace Travel along the precipice's base; Cheering its naked waste of scattered stone, By lichens grey, and scanty moss, o'er-grown; Where scarce the foxglove peeps, or thistle's beard; And restless stone-chat, all day long, is heard.
Mountain steeps appear like a black wall, as cottage lights stream across the water. When the moon reaches its zenith, shadows among the mountains are reduced, plains extend 'rimy without speck', and the only visible movement is that of 'silver'd wreaths of quiet charcoal smoke' that move 'o'er the ruins of the fallen wood, Steal down the hills, and spread along the flood'. Fittingly for a writer who has recurrently shown a zeal for communicating aural sensations, An Evening Walk ends with late night sounds.
A Wordsworth Companion: Survey and Assessment by F. B. Pinion